Accessibility
Contact
The information on the accessibility of the 2025 Festival edition will be updated continuously. For needs on-site, suggestions related to improvement as well as clues on barriers, please contact:
Paula Emmrich - Contact for Questions on Accessibility
Mobile +49 176 587 685 11 (also available via WhatsApp / Telegram / Signal)
Mail barrierefreiheit@theaterformen.de
Venues
Schauspielhaus
Travelling by Car
There are parking spaces for disabled people in the immediate vicinity of the Schauspielhaus on Prinzenstraße (1), Sophienstraße (2) and Theaterstraße (1). There is accessible parking in the “Tiefgarage Opernplatz/Kröpcke” underground car park. More information on the car park is available to download under this link: Parking.
Travelling by Public Transport
The nearest Stadtbahn [light rail] station is “Kröpcke”. It serves all the Stadtbahn lines except for lines 10 and 17 (distance to the Schauspiel approx. 500 m). The nearest bus stop to the Schauspielhaus is “Thielenplatz/Schauspielhaus” (distance to the Schauspiel approx. 200 m). Bus lines 100,121, 128, 134 and 200 stop there. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.
Entrance Area/ Box Office
The main entrance to the Schauspiel at Prinzenstraße 9 has step-free access. There is a single automatic door that opens outwards. The box office counter is located on the right-hand side. Because of its height (107 cm), it is not accessible for everyone. The entrance to the cloakroom area is on the left-hand side. If you are entering the Schauspiel across the courtyard, the box office counter is on the left and the cloakroom area on the right.
Cloakroom Area
The staircase is in the centre of the cloakroom area. Behind the staircase there is a counter where you can obtain audio amplification devices. There are a limited number of devices available. Lockers are distributed around the entire cloakroom area; use of the lockers is unassisted. The lift (door width: 80 cm; interior space: 140 x 100 cm) is on the left-hand side at the front of the cloakroom area. The toilets are on the right-hand side. There are accessible WC cubicles in the toilet area.
Accessible Toilets
On the right side of the cloak area, there are two toilet rooms. There is an accessible WC in each of the two rooms. Both toilets are accessible at ground level.
The width of the entrance door to the accessible toilet in the right toilet room is 80 cm. The toilet seat with two support handles on the left and right is located at 50cm height. The sink is 88cm high and 50 cm deep. The soap dispenser is at 90cm, the paper towel dispenser is at 110cm and the toilet paper holder is at 90cm height.
In the left WC room, the entrance to the accessible toilet takes place directly through the washroom. The entrance door to the accessible toilet is 80 cm wide. The toilet seat with two support handles on the left and right is located at a height of 50 cm. The sink is 90 cm high and 48 cm deep. The soap dispenser is at 90 cm, the paper towel dispenser is at 110 cm and the toilet paper holder is at 90 cm height.
Foyer / Bar
The foyer is on the first floor of the Schauspiel. In the foyer there are entrances to the auditorium and the first circle, as well as various seating and standing options. In the middle of the room there is a round, raised area (height: approx. 2 cm) with an adjoining bar (height: 116 cm).
Relaxed Seating
For the duration of Festival Theaterformen 2021, beanbags will be provided as alternative seating options. A relaxed area with beanbags will be set up in the first row for this. Beanbags can be booked in advance as “beanbag tickets” through the box office or online shop.
Wheelchair Spaces and Stepless Seating
On the intermediate level “Rollstuhlloge” [wheelchair loge] there is access to the loge on the right-hand side at the back of the stalls (row 17), where the wheelchair spaces are. In addition, all seats in row 17 are accessible without steps (stalls left: 1 - 10, stalls right: seats 18 - 24).
Cumberlandsche Bühne
Travelling by Car
There are parking spaces for disabled people in the immediate vicinity of the Cumberlandsche Bühne on Prinzenstraße (1), Sophienstraße (2) and Theaterstraße (1). There is accessible parking in the “Tiefgarage Opernplatz/Kröpcke” underground car park. More information on the car park is available to download under this link: Parking.
Travelling by Public Transport
The nearest Stadtbahn [light rail] station is “Kröpcke”. It serves all the Stadtbahn lines except for lines 10 and 17 (distance to the Schauspiel approx. 500 m). The nearest bus stop to the Schauspielhaus is “Thielenplatz/Schauspielhaus” (distance to the Schauspiel approx. 200 m). Bus lines 100,121, 128, 134 and 200 stop there. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.
Entrance
The entrance to the theatre is across the courtyard and via a stairway, so it is not step-free access. In addition, on the left- and right-hand sides of the stairway that leads to the Cumberland foyer, there are rainwater gutters that may be confusing for people using canes.
For anyone who has difficulties walking up steps, there is alternative access via the entrance to the stage in the foyer of the Schauspiel, where there is a lift (door width: 90 cm; interior space: 130 x 150 cm). To help with this, for the duration of Festival Theaterformen 2023, a step-free meeting point will be set up before the performances in the box office foyer of the Schauspiel.
Foyer
In the foyer there is a bar with bar tables and different seating options on the entrance level. The foyer and bar are similarly accessible via the entrance to the stage, however they do not have step-free access.
Toilets
The toilets are on the second floor. There are no accessible toilets and the toilets do not have step-free access. Those who wish to use the accessible toilet in the Schauspiel are advised to allow at least 15 minutes.
Ballhof Eins
Travelling by Car
The address for Ballhof Eins is Ballhofplatz 5. There are several accessible parking spaces on Burgstraße on the same level as Ballhofplatz. The access to the foyer in Ballhof Eins is step-free via Ballhofplatz. The distance between the parking spaces and the foyer is approx. 70 m.
Travelling by Public Transport
The nearest Stadtbahn [light rail] station is “Markthalle/Landtag” (distance to Ballhof Eins approx. 450 m). It serves lines 3, 7 and 9. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.
Entrance Area
Entrance to the Ballhof Eins foyer is via a double-wing door. In the foyer there are several bar tables, two box office counters and a bar area for purchasing drinks. There are further seating options here. The bar area is accessed via three steps from the foyer.
Auditorium
In Ballhof Eins there is a rostrum. Entry is generally via a door leading directly to the rostrum. The first row has step-free access. There is a guidance system for the blind that leads from the entrance to the auditorium to the front row and the grandstand.
Cloakrooms /Toilets
The cloakrooms and toilets are in the basement, which is only accessible via a staircase with many steps.
Accessible Toilet
The accessible toilet is on the right-hand side at the end of the corridor, where there are several entrances to the auditorium on the left-hand side. Users first of all enter an anteroom with a washbasin via a non-automatic door (width: 95 cm). The cubicle is connected to the anteroom by an arched doorway (no door, width: 95 cm). The toilet seat with folding handles on the left and right attached directly on the seat is located at a height of 50 cm, the sink is 80 cm high. The soap dispenser is at 90 cm, the paper towel dispenser is at 110 cm and the toilet paper holder is at 70 cm height.
Ballhof Zwei
Travelling by Car
The address for Ballhof Zwei is Knochenhauerstraße 28. There are several accessible parking spaces on Burgstraße on the same level as Ballhofplatz. The access to the foyer in Ballhof Zwei is step-free via Ballhofplatz. The distance between the parking spaces and the foyer is approx. 150 m.
Travelling by Public Transport
The nearest Stadtbahn [light rail] station is “Markthalle/Landtag” (distance to Ballhof Zwei approx. 450 m). It serves lines 3, 7 and 9. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.
Foyer / Ballhof Café
The Ballhof Zwei foyer is divided into two areas. One of the two areas is the Ballhof Café. Here, there is a bar as well as various seating and standing options. In the other area there is the box office counter (height: 75 cm), the toilets, and access to the stage. The Ballhof Café is accessed via a non-automatic, 80 cm-wide door. Both areas are separated from one another by a rostrum with steps. In the Ballhof Café there is a bar on a rostrum with no step-free access. The bar sells drinks and snacks.
Accessible Toilet
The accessible WC (door, width: 90 cm) is located to the right of the toilets in the foyer. A light strip runs along the steps, providing visual marking. Between the accessible toilets there are coat hooks placed at two different heights. The toilet seat with two support handles on the left and right is located at a height of 50 cm, the sink is 80 cm high. The soap dispenser is at 90 cm height, the paper towel dispenser is at 110 cm height.
Auditorium
There is a lift (width: 80 cm; interior space: 138 cm x 155 cm) that connects the Ballhof Zwei foyer with the auditorium. The lift takes you to a staircase that is connected to the auditorium by a door. This door (width: 110 cm) has a door handle, is not automatic, and does not lock in place.
Relaxed Seating
For the duration of Theaterformen 2021, the first row will be set up as a relaxed area with a mix of beanbags and wheelchair spaces. These spaces can be booked in advance as “beanbag tickets” or “wheelchair tickets” through the box office or online shop.
Festival Centre Theaterhof
Travelling by car
There are parking spaces for disabled people in the immediate vicinity of the Cumberlandsche Bühne on Prinzenstraße (1), Sophienstraße (2) and Theaterstraße (1). There is accessible parking in the “Tiefgarage Opernplatz/Kröpcke” underground car park. More information on the car park is available to download under this link: Parking.
Travelling by public transport
The nearest Stadtbahn [light rail] station is “Kröpcke”. It serves all the Stadtbahn lines except for lines 10 and 17 (distance to the Schauspiel approx. 500 m). The nearest bus stop to the Schauspielhaus is “Thielenplatz/Schauspielhaus” (distance to the Schauspiel approx. 200 m). Bus lines 100,121, 128, 134 and 200 stop there. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.
Accessible toilets
The closest accessible toilets are in the cloak area of the Schauspielhaus, on the right side. There is an accessible WC in each of the two rooms. Both toilets are accessible at ground level.
Alternative Seating
We offer alternative seating in the festival centre. However, as the festival centre is currently in the process of development until the festival, it is not possible to provide more infos on it at this moment. This page will be continually updated and supplemented with information as required.
Relaxed Performance
A Relaxed Performance is targeted at audiences who benefit from a more relaxed theatre and event atmosphere. It aims to welcome viewers who are often excluded in performance spaces. These include, for example, autistic persons, people with Tourette's, people with learning disabilities or chronic pain.
The idea is to adapt conventional theater etiquette, which excludes people with disabilities or chronic illnesses in many places, so that they can experience a performance in a more relaxed atmosphere. Among other things, this means:
- before the performance begins, the Relaxed Performance is announced;
- sounds and movements from the audience are explicitly welcome;
- the audience is allowed to leave and return to the auditorium at any time.
This offer applies to the following events:
Sat 21.06. 21:00 – 22:15
Sun 22.06. 20:00 – 21:15
Cumberlandsche Bühne
Magic Maids
Eisa Jocson & Venuri Perera
Sun 22.06. 18:00
Mo 23.06. 19:00
Ballhof Zwei
PAS MOI
Diana Anselmo
Tue 24.06. 19:00
Wed 25.06. 19:00
Ballhof Eins
When I Saw The Sea
Ali Chahrour
Fri 27.06. 18:00 – 19:30
Sat 28.06. 21:00 – 22:30
Cumberlandsche Bühne
MONGA
Jéssica Teixeira
Fri 27.06. 21:00 – 22:00
Sat 28.06. 18:00 – 19:00
Ballhof Zwei
Blood Show
Ocean Stefan
Sat 28.06. 19:00 – 20:30
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
DGS
Note: You can find all videos in German Sign Language (DGS) with English subtitles here.
Events with Interpreting into DGS
Sun 22.06. 18:00
Mo 23.06. 19:00
Ballhof Zwei
PAS MOI
Diana Anselmo
The performances of PAS MOI will be translated from Italian Sign Language into German Sign Language (DGS).
Fri 27.06. 18:00 – 19:30
Sat 28.06. 21:00 – 22:30
Cumberlandsche Bühne
MONGA
Jéssica Teixeira
The performances of MONGA will be translsated from Spoken Portuguese into German Sign Language (DGS).
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
The perfromance Songs of the Wayfarer on 29.06. will be translated from Spoken English into German Sign Language (DGS).
Audio Description
Audio descriptions make theater performances accessible for blind and visually impaired people. In the audio description during the performance, the events on stage are described. This gives blind and visually impaired people access to the visual elements of a play, including movement, gestures, facial expressions, stage design, costumes and props.
Before the performance, a touch tour can be offered. During a touch tour, blind and visually impaired people can adequately perceive the stage space. The objects in the space are first described in detail and with precision. Then the participants can touch them one after the other.
Following events take place with German audio description WITH touch tour:
Sat 21.06. 21:00 – 22:15
Cumberlandsche Bühne
Magic Maids
Eisa Jocson & Venuri Perera
The touch tour for Magic Maids on 21.06. takes place in Spoken German and begins 1 hour before the performance start and has a duration of max. 15 min. Information on the meeting point will be published soon.
We do not recommend visiting the performances of Magic Maids with an assistance dog. At the end of the piece, ground chilli, salt and turmeric are spread around the room. This can lead to irritation of the mucous membranes and coughing.
Sat 28.06. 19:00 – 20:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
The touch tour for Songs of the Wayfarer on 28.06. begins 1 hour before the performance starts and has a duration of max. 15 min. Information on the meeting point will be published soon.
The following performances take place with audio description WITHOUT touch tour:
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
Guide dogs are allowed to accompany you, of course. We kindly ask you to announce this when buying your tickets, so that we can provide you with suitable seats.
You can register for the audio description after purchasing your ticket via telephone or by sending an email to:
Paula Emmrich – Contact for Questions on Accessibility
Mobil +49 176 587 685 11 (also available via WhatsApp / Telegram / Signal)
Mail barrierefreiheit@theaterformen.de
Early Boarding
Early boarding refers to the earlier admission to the auditorium. The offer is for everyone, especially visitors with visible and non-visible disabilities, who wish to have a more relaxed arrival in the auditorium and would like to calmly find a seat according to their needs.
Detailed information on early boarding, such as the start and meeting point at the respective venues, will follow shortly.
We offer early boarding at the following events:
Sun 22.06. 18:00
Mo 23.06. 19:00
Ballhof Zwei
PAS MOI
Diana Anselmo
Tue 24.06. 19:00
Wed 25.06. 19:00
Ballhof Eins
When I Saw The Sea
Ali Chahrour
Sat 28.06. 19:00 – 20:30
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
Sensory Triggers
On this page we provide information on the expectations that might be placed on the audience during the performance. In addition, we highlight various acoustic, visual, olfactory, gustatory and haptic triggers that may be sensory triggers for people. Transparent communication in this regard allows potential attendees to decide themselves whether a performance is accessible for them.
Because some of the productions are still in the process of being developed, this page will be continually updated and supplemented with information as required.
Undersang - Harald Beharie
Venue / Route to the venue
- The route to the venue takes about 20 minutes by foot along unpaved paths through the forest. The audience sits on the forest ground, there is no seating, and some spectators have to turn round or stand in order to see the performers as they move through the audience.
Acoustic stimuli
- The performers shout and moan rhythmically in polyphony. This increases for around 25 minutes, with repeated loud screams, some of which are partly croaking and stifled.
- Flute playing and singing can be heard.
Interaction with the audience
- The performers walk through and sometimes close to the audience. They climb trees and may touch members of the audience. Some audience members are touched casually, e.g. on the shoulder.
- The performers breathe on the skin of some spectators.
- The performers dance around individual members of the audience, holding on to them and shouting.
- The performers run, wrestle and dance between the members of the audience.
Odour/Haptics
- The audience sits on the forest floor, sometimes leaning against trees. The performers are spraying with water that may hit the audience.
MONGA – Jéssica Teixeira
Visual stimuli
- Stroboscope is used in one scene.
- Electronic music is played.
- Fog is used in the piece.
- The room is only dimly lit throughout the performance.
- A large spotlight shines from the back of the stage towards the audience.
- A large screen shows the action on stage via a live camera. At times, the camera moves with the performer. Later, the screen shows flickering interference images for approx. 4 minutes.
- In one scene, the light flickers.
- In one scene, a rotating disco ball reflects small dots of light onto the stage and into the audience, which can be dazzling.
Acoustic stimuli
- There is live music in several scenes with loud vocals and distorted electric guitar.
- Loud sirens can be heard in one song.
- There is a scene with loud electronic music, over 10 minutes of loud, escalating music with drums.
Interaction with the audience
- The performer, masked as a gorilla, approaches the front row. She addresses questions to the audience and also to individual members of the audience, which are to be answered and from which conversations arise.
- In the dark, the performer holds the hands of some of the people in the front row.
- At the end of the piece, some audience members are asked to dance together. They dance for about 5 minutes to loud music with flickering lights on the stage.
- Shot glasses with rum are distributed to the audience.
Odour/Haptics
- Shot glasses with rum are distributed to the audience.
Magic Maids – Eisa Jocson & Venuri Perera
Visual stimuli
- The stage is evenly illuminated. There are no sudden light changes, all light changes happen slowly.
- Occasionally, the light flickers in dim lighting.
- In one scene, the room is almost completely dark. Meanwhile, echo sounds can be heard and the performers move around the room.
Acoustic stimuli
- The sound of brooms can be heard: Broom handles knocking and falling on the floor, brooms sweeping the floor.
- Rustling sounds can be heard.
- In some scenes, the performers' loud breathing can be heard, which is amplified with echoes. Shrill screams can be heard. The room is dark.
- Loud music is used. Some of this music can be heard with echo. There is whispering in one scene.
- In one scene, a rhythmically booming bass can be heard.
- At one point, one of the performers screams loudly.
- Disturbing noises with a rattling sound are used.
Interaction with the audience
- At the beginning, the performers throw small pieces of raw ginger into the audience.
- The performers hold long brooms over the heads of the first two rows of the audience.
- The brooms are moved and waved with sweeping movements near the audience and above their heads.
- Individual members of the audience are addressed. They are asked questions.
- A person in the front row is suddenly shouted at.
- At the end of the piece, some audience members are given a broom.
- The performers approach the front row but do not touch them.
Odour / Haptics
- At the end of the piece, ground chili, salt and turmeric are spread around the room. This can lead to irritation of the mucous membranes and coughing. It is not recommended to bring assitant dogs.
- A lime is squeezed on stage.
Songs of the Wayfarer – Claire Cunningham
Visual stimuli
- Light changes take place slowly and are demonstrated at the beginning of the performance.
- The performer wears a headlamp, which may dazzle the audience.
- The room is dark in individual scenes, there is sparse lighting from the projections.
- The performance begins with approx. 7 minutes of darkness.
- There are projections on a large sheet of fabric and on the floor. The projections on the floor sometimes move. From the seats on the stage, it can look as if the floor is moving.
Acoustic stimuli
- All sound changes take place slowly and are demonstrated at the beginning of the performance.
- Loud, classical music is played.
- The performer sings loudly in an operatic style.
- There are sequences with long-lasting, swelling music with a deep bass that can trigger vibration.
- Rhythmic clacking of the crutches can be heard.
Interaction with the audience
- The performer moves close to the seats marked in orange and the seating options on the stage.
- The performer moves along the orange-coloured markings through the audience. She makes sweeping movements with the crutches close to the audience.
- The performer offers biscuits to individual members of the audience. The biscuits do not contain nuts.
Odour / Haptics
- The performer eats cookies and drinks coffee in the audience area, which can be smelled at the back of the hall.
Content Notes
On this page, we point out different harmful content that can be potentially triggering. A transparent communication about this allows potential visitors to decide for themselves whether a performance is suitable an accessible for them.
We are aware that some content without content notes can make people feel unsafe, as this content can be offensive, disturbing, stressful or even retraumatizing.
However, because there is a very wide range of potential triggers and it is not always possible to think about and include all of them, we would like to offer our audience the opportunity to check with us in advance about specific triggers.
We encourage you to reach out to us and ask if specific triggering content will be addressed, shown, or performed in any of our performances. All you need to do is send us a short e-mail, which does not require any special wording and may even consist of just a question.
Please understand, however, that it will not always be possible to provide information on all pieces and performances, as some of them are still in the process of development until the festival. However, we will make every effort to follow up on all inquiries as far as we are able.
Because some of the productions are still in the process of being developed, this page will be continually updated and supplemented with information as required.
Undersang – Harald Beharie
- Naked bodies
- Depiction of Transfer
- A bottom, only covered by a thin string, which is partially shaken directly in front of the faces of the spectators
- Suggestion of seizures, tongues hanging out and saliva
- Suggestion of penetration, e.g. on trees and close to individual spectators
- Depiction of fighting, grabbing and pulling on the head, falling down
Magic Maids – Eisa Jocson & Venuri Perera
- (Satirical) reproduction of colonial thoughts
- Retelling of experiences of violence from the lives of “housemaids”: mention of physical violence, exploitation, rape, murder, execution, cannibalism
- Critical examination of the supposed “ownership” of people
- Twitching, seizure-like movements with hysterical laughter
- Commenting on characteristics of audience
MONGA – Jéssica Teixeira
- Nudity
- Thematisation of ableism using historical examples
- Thematisation of experiences of racism and exploitation of disabled BIPoC
- Thematisation of experiments and research on disabled bodies and freak shows
- Thematisation of death and death during childbirth
- Detailed description of a dissection and a murder
- Partial reproduction of ableist language
- Alcohol is distributed to the audience and they are encouraged to drink
Songs of the Wayfarer – Claire Cunningham
- Thematisation of death and grief
Contact for Questions on Content Notes
Paula Emmrich – Contact for Questions of Accessibility
Mobile +49 176 587 685 11 (Signal / Telegram / WhatsApp)
E-Mail barrierefreiheit@theaterformen.de
Alternative Seating
As part of the Festival Theaterformen, alternative seating in the form of beanbags will be installed for all performances (for example, for audience members with chronic pain).
These seats can be booked in advance as "Sitzsackplatz".
We will provide alternative seating in the festival centre Theaterhof. As the festival centre is currently in the process of being developed, it is currently not possible to provide more detailed information. This page will be updated on an ongoing basis and information will be added as required.
Surtitles
For the majority of our international guest performances we offer surtitles. This means that all the languages used in the play are projected simultaneously in written form for reading along.
Generally, we offer German surtitles, but if the guest performance is in a language other than English, it will also be surtitled as well in English.
Here is an overview of all performances with surtitles:
English Surtitles
Thu 19.06. 20:00 – 21:40
Fri 20.06. 20:00 – 21:40
Schauspielhaus
Los días afuera / The days out there
Lola Arias
Sun 22.06. 18:00
Mo 23.06. 19:00
Ballhof Zwei
PAS MOI
Diana Anselmo
Tue 24.06. 19:00
Wed 25.06. 19:00
Ballhof Eins
When I Saw The Sea
Ali Chahrour
Thu 26.06. 20:00 – 22:30
Fri 27.06. 20:00 – 22:30
Schauspielhaus
A Year without Summer
Florentina Holzinger
Fri 27.06. 18:00 – 19:30
Sat 28.06. 21:00 – 22:30
Cumberlandsche Bühne
MONGA
Jéssica Teixeira
Sat 28.06. 19:00 – 20:30
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham
German Surtitles
Thu 19.06. 20:00 – 21:40
Fri 20.06. 20:00 – 21:40
Schauspielhaus
Los días afuera / The days out there
Lola Arias
Fri 20.06. 19:00
Sat 21.06. 19:00
Ballhof Eins
DEEPER
Gosia Wdowik
Sat 21.06. 21:00 – 22:15
Sun 22.06. 20:00 – 21:15
Cumberlandsche Bühne
Magic Maids
Eisa Jocson & Venuri Perera
Sun 22.06. 18:00
Mo 23.06. 19:00
Ballhof Zwei
PAS MOI
Diana Anselmo
Tue 24.06. 19:00
Wed 25.06. 19:00
Ballhof Eins
When I Saw The Sea
Ali Chahrour
Thu 26.06. 20:00 – 22:30
Fri 27.06. 20:00 – 22:30
Schauspielhaus
A Year without Summer
Florentina Holzinger
Fri 27.06. 18:00 – 19:30
Sat 28.06. 21:00 – 22:30
Cumberlandsche Bühne
MONGA
Jéssica Teixeira
Sat 28.06. 19:00 – 20:30
Sun 29.06. 18:00 – 19:30
Ballhof Eins
Songs of the Wayfarer
Claire Cunningham