Accessibility

General Info

New Accessible Services

This year, we aim to make Festival Theaterformen more accessible – we should not even need mention this; it should just be a matter of course. But because we are offering new services, we would like to briefly introduce our plans. Since September 2020, the disabled experts Noa Winter and Sophia Neises have been helping us along the way. This support process is taking place in cooperation with the Schauspiel Hannover, part of the Staatstheater Hannover. Winter and Neises have delivered awareness-raising workshops for our teams, as well as for box office and front-of-house staff, on anti-ableism and accessibility; they have also conducted a comprehensive structural inventory of our four venues, Schauspiel, Cumberland, Ballhof Eins and Ballhof Zwei. The result is a handbook that not only documents the current state in detail but also outlines short-term and long-term possibilities for future improvement, possibilities we are exploring together with the Schauspiel Hannover within the framework of the newly established AG Barrierefreiheit [Working Group on Accessibility]. 

One of the first outcomes of this process is our new accessible website, which now also contains detailed information on the venues, e.g. the dimensions of the lifts and accessible toilets, as well as information on sensory stimuli and the expectations placed on the audience attending the individual plays. The information on the festival and programme is also available in video format in German sign language. You can find it under this link: Video

In addition, we have developed two new services for audience members with different disabilities: for the first time, there will be an audio description along with a tactile tour, making theatre accessible to blind and visually impaired people too. This service will also continue to be offered by the Schauspiel Hannover in the coming season. And in all venues we are providing beanbags as alternative seating, which, just like wheelchair spaces, can be booked easily through the Staatstheater box office or online shop.   

We are very conscious that, at present, we are unable to offer services to meet all accessibility needs. This is just the beginning of a long-term process that we will If you have any queries or feedback, please get in touch with our contact person for accessibility, Olivia Hotz: 

Contact for Questions on Accessibility

Landline: (+49) 0511 9999 2500
Email: barrierefreiheit@theaterformen.de 

Locations

Schauspiel

Travelling by Car

There are disabled parking spaces in the immediate vicinity of the Schauspielhaus on Prinzenstraße (1), Sophienstraße (2) and Theaterstraße (1). There is accessible parking in the “Tiefgarage Opernplatz/Kröpcke” underground car park. More information on the car park is available to download under this link: Parking

Travelling by Public Transport

The nearest Stadtbahn [light rail] station is “Kröpcke”. It serves all the Stadtbahn lines except for lines 10 and 17 (distance to the Schauspiel approx. 500 m). The nearest bus stop to the Schauspielhaus is “Thielenplatz/Schauspielhaus” (distance to the Schauspiel approx. 200 m). Bus lines 100,121, 128, 134 and 200 stop there. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.

Entrance Area/ Box Office

The main entrance to the Schauspiel at Prinzenstraße 9 has step-free access. There is a single automatic door that opens outwards. The box office counter is located on the right-hand side. Because of its height (107 cm), it is not accessible for everyone. The entrance to the cloakroom area is on the left-hand side. If you are entering the Schauspiel across the courtyard, the box office counter is on the left and the cloakroom area on the right.

Cloakroom Area 

The staircase is in the centre of the cloakroom area. Behind the staircase there is a counter where you can obtain audio amplification devices. There are a limited number of devices available. Lockers are distributed around the entire cloakroom area; use of the lockers is unassisted. The lift (door width: 80 cm; interior space: 140 x 100 cm) is on the left-hand side at the front of the cloakroom area. The toilets are on the right-hand side. There are accessible WC cubicles in the toilet area. 

Foyer / Bar

The foyer is on the first floor of the Schauspiel. In the foyer there are entrances to the auditorium and the first circle, as well as various seating and standing options. In the middle of the room there is a round, raised area (height: approx. 2 cm) with an adjoining bar (height: 116 cm).

Relaxed Seating  

For the duration of Festival Theaterformen 2021, beanbags will be provided as alternative seating options. A relaxed area with beanbags will be set up in the first row for this. Beanbags can be booked in advance as “beanbag tickets” through the box office or online shop.   

Wheelchair Spaces 

On the intermediate level “Rollstuhlloge” [wheelchair loge] there is access to the loge on the right-hand side at the back of the stalls (row 17), where the wheelchair spaces are. In addition, there are several chairs in row 17 with step-free access (chairs 18-24).

Cumberland

Please note: The Cumberland can be accessed either through the box office foyer of the Schauspiel or via the courtyard.

Travelling by Car

There are disabled parking spaces in the immediate vicinity of the Cumberland theatre on Prinzenstraße (1), Sophienstraße (2) and Theaterstraße (1). There is accessible parking in the “Tiefgarage Opernplatz/Kröpcke” underground car park. More information on the car park is available to download under this link: Parking

Travelling by Public Transport

The nearest Stadtbahn [light rail] station is “Kröpcke”. It serves all the Stadtbahn lines except for lines 10 and 17 (distance to the Schauspiel approx. 500 m). The nearest bus stop to the Schauspielhaus is “Thielenplatz/Schauspielhaus” (distance to the Schauspiel approx. 200 m). Bus lines 100,121, 128, 134 and 200 stop there. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.

Entrance

The entrance to the theatre is across the courtyard and via a stairway, so it is not step-free access. In addition, on the left- and right-hand sides of the stairway that leads to the Cumberland foyer, there are rainwater gutters that may be confusing for people using canes.      

For anyone who has difficulties walking up steps, there is alternative access via the entrance to the stage in the foyer of the Schauspiel, where there is a lift (door width: 90 cm; interior space: 130 x 150 cm). To help with this, for the duration of Festival Theaterformen 2021, a step-free meeting point will be set up before the performances in the box office foyer of the Schauspiel.      

Foyer

In the foyer there is a bar with bar tables and different seating options on the entrance level. The foyer and bar are similarly accessible via the entrance to the stage, however they do not have step-free access.

Toilets 

The toilets are on the second floor. There are no accessible toilets and the toilets do not have step-free access. Those who wish to use the accessible toilet in the Schauspiel are advised to allow at least 15 minutes.

Ballhof Eins

Travelling by Car

The address for Ballhof Eins is Ballhofplatz 5. There are several accessible parking spaces on Burgstraße on the same level as Ballhofplatz. The access to the foyer in Ballhof Eins is step-free via Ballhofplatz. The distance between the parking spaces and the foyer is approx. 70 m.   

Travelling by Public Transport

The nearest Stadtbahn [light rail] station is “Markthalle/Landtag” (distance to Ballhof Eins approx. 450 m). It serves lines 3, 7 and 9. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.

Entrance Area

Entrance to the Ballhof Eins foyer is via a double-wing door. In the foyer there are several bar tables, two box office counters and a bar area for purchasing drinks. There are further seating options here. The bar area is accessed via three steps from the foyer.  

Auditorium

In Ballhof Eins there is a rostrum. Entry is generally via a door leading directly to the rostrum. The first row has step-free access. There are no tactile borders on the rostrum indicating where the steps are for people using canes.

Cloakrooms /Toilets

The cloakrooms and toilets are in the basement, which is only accessible via a staircase with many steps.

Accessible Toilet

The accessible toilet is on the right-hand side at the end of the corridor, where there are several entrances to the auditorium on the left-hand side. Users first of all enter an anteroom with a washbasin via a non-automatic door (width: 95 cm). The cubicle is connected to the anteroom by an arched doorway (no door, width: 95 cm).  

Ballhof Zwei

Travelling by Car

The address for Ballhof Zwei is Knochenhauerstraße 28. There are several accessible parking spaces on Burgstraße on the same level as Ballhofplatz. The access to the foyer in Ballhof Zwei is step-free via Ballhofplatz. The distance between the parking spaces and the foyer is approx. 150 m.

Travelling by Public Transport

The nearest Stadtbahn [light rail] station is “Markthalle/Landtag” (distance to Ballhof Zwei approx. 450 m). It serves lines 3, 7 and 9. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.

Foyer / Ballhof Café

The Ballhof Zwei foyer is divided into two areas. One of the two areas is the Ballhof Café. Here, there is a bar as well as various seating and standing options. In the other area there is the box office counter (height: 75 cm), the toilets, and access to the stage. The Ballhof Café is accessed via a non-automatic, 80 cm-wide door. Both areas are separated from one another by a rostrum with steps. In the Ballhof Café there is a bar on a rostrum with no step-free access. The bar sells drinks and snacks.

Accessible Toilet

The WCs can be accessed via either a ramp or steps. A light strip runs along the steps, providing visual marking. The accessible WC is on the right next to the gender free toilets in the foyer. Between the accessible toilets there are coat hooks placed at two different heights.

Auditorium 

There is a lift (width: 80 cm; interior space: 138 cm x 155 cm) that connects the Ballhof Zwei foyer with the auditorium. The lift takes you to a staircase that is connected to the auditorium by a door. This door (width: 110 cm) has a door handle, is not automatic, and does not lock in place.

Relaxed Seating

For the duration of Theaterformen 2021, the first row will be set up as a relaxed area with a mix of beanbags and wheelchair spaces. These spaces can be booked in advance as “beanbag tickets” or “wheelchair tickets” through the box office or online shop.  

Stadtlabor

Travelling by car

The Raschplatzhochstraße is located directly behind Hannover Main Station. There are various parking facilities around Raschplatz, for example the Lister Tor multi-storey car park, the multi-storey car park at the main railway station, the Rundestraße car park (CONTIPARK). There are several barrier-free parking spaces available in all of the aforementioned multi-storey car parks. The Raschplatzhochstraße itself will not be accessible to cars during the festival period and will only be accessible to pedestrians via Berliner Allee.

Distanz vom unteren Ende der Brücke (Berliner Allee) bis zum Stadtlabor auf der Raschplatzhochbrücke ca. 300m.

Travelling by public transport

The nearest station of the city railway is "Hauptbahnhof" (main train station) and it is reachable using the lines 1,2, 3, 7, 8, 9 and 10. The Central Bus Station (ZOB) is also located here and is served by lines 134, 300, 500, 700 and 900. More information on accessible services provided by ÜSTRA [Hanover’s public transport operator] is available under this link: Public transport.

Distance from the main station/ZOB to the city laboratory on the Raschplatzhochbrücke across Berliner Allee approx. 800m.

Shuttle service

There is a free shuttle service from the U1 level of the Raschplatz at the rear entrance of the main station up to the Raschplatzhochstraße. Both stops are marked with a sign and are continuously attended by a staff member.

The shuttle bus is for all people for whom the walk up to the Stadtlabor represents a barrier (e.g. people with mobility impairments and people with visible and/or invisible disabilities), as well as their companions. There is no obligation to provide proof for a disabilty. The shuttle bus can carry up to 3 people in wheelchairs and 5 people in car seats at the same time. 

Hygiene information: The drivers of the shuttle bus as well as the passengers are obliged to wear mouth and nose protection (surgical or FFP2 mask) during the journey. Regular ventilation will be provided and all surfaces inside the vehicle will be regularly disinfected. 

Departure times: The shuttle leaves every half hour at the bottom of the Raschplatz, up to Stadtlabor (first departure: 11.30 am / last departure: 10.30 pm).The shuttle leaves every full hour at the top of Stadtlabor, down to the Raschplatz (first departure: 12 am / last departure: 11 pm).

Entrance area

In front of the entrance to the Stadtlabor are the ticket booth and the information booth (exact dimensions of the counter heights follow).

The entrance and exit areas to the event area are each 2.50 m wide. The area is accessible barrier-free via a ramp. 

Stadtlabor

The "communal area" (approx. 160 m2) begins directly behind the entrance. This is where the kitchen is located, food and drinks are available, and there is a large area with tables and chairs. There are also two workshop areas that can be used differently depending on the programme. In the social area, the audio and video works of various artists* are exhibited.

In the "experimental area" (approx. 250 m2), different programmes take place: Workshops, concerts, readings, discussions and much more. The seating and furnishings will vary depending on the programme.

There are so-called "quiet ramps" at both ends of the Stadtlabor. The ramps (each approx. 75 m2) are slightly sloping, the area starts at ground level, at the highest point they are 1 metre high. Various seating and lounging options are available here, including beanbags and yoga mats.

Note: we are located in the middle of Hanover's city centre. The Stadtlabor is surrounded by a constant urban soundscape (cars, passers-by, etc.). The quiet ramps invite you to relax physically, but there is no protection against noise. Ear protectors (Oropax) are available at the information booth.

Accessible toilet

There is a barrier-free composting toilet. The interior is 2.5 x 2.5 metres and accessible at ground level. The roof is transparent, which means daylight inside during the day, and LED lighting as soon as it gets dark. All toilets, including the non-accessible ones, are unisex, i.e. not segregated by gender.

Relaxed Seating

Beanbags and yoga mats are available in the relaxation area. All visitors are free to choose from all available seating and reclining options. If there is no suitable seating or reclining option available for you, please ask the staff present.

Guidance system for the blind

Tactile maps will be available at the shuttle stops and at the information booth so that blind and visually impaired people can find out about the event area in advance.

In order to create an environment that is as suitable as possible for the blind and visually impaired, tactile floor marking tape will be applied from the entrance onwards. The guidance system leads from the entrance across the communal area and around the experimental area to the toilets and back to the exit. At the resting ramps, the kitchen and the emergency exit, signal fields will mark the locations accordingly.

Free admission for accompanying persons

If a disabled person is dependent on an companion, the ticket fees will be waived for them. In this case, please book the "Accompanying person" discount at eventim or indicate your need at the box office. There is no obligation to provide proof (e.g. a severely disabled person's ID).

Shuttle Service

Shuttle Service to the Stadtlabor

There is a free shuttle service from the U1 level of the Raschplatz at the rear entrance of the main station up to the Raschplatzhochstraße. Both stops are marked with a sign and are continuously attended by a staff member.

The shuttle bus is for all people for whom the walk up to the Stadtlabor represents a barrier (e.g. people with mobility impairments and people with visible and/or invisible disabilities), as well as their companions. There is no obligation to provide proof for a disabilty. The shuttle bus can carry up to 3 people in wheelchairs and 5 people in car seats at the same time. 

Hygiene information: The drivers of the shuttle bus as well as the passengers are obliged to wear mouth and nose protection (surgical or FFP2 mask) during the journey. Regular ventilation will be provided and all surfaces inside the vehicle will be regularly disinfected. 

Departure times: The shuttle leaves every half hour at the bottom of the Raschplatz, up to Stadtlabor (first departure: 11.30 am / last departure: 10.30 pm).The shuttle leaves every full hour at the top of Stadtlabor, down to the Raschplatz (first departure: 12 am / last departure: 11 pm).

Surtitles

Audio Descriptions

Audio descriptions make theatre performances accessible for blind and visually impaired people. In the audio description, the events on the stage are described during the performance. This gives blind and visually impaired people access to the visual elements of the play: included in the description are movements, gestures, facial expressions, set design, costume and props. In addition, there is a tactile tour before the performance.

There will be a German audio description and a tactile tour at the following event: 

Friday, 9 July – 8pm: Ich bin nicht tot - Lola Arias 

The tactile tour will begin at 6pm and will last 30 minutes.

Places for the audio description are limited to a maximum of 10 participants. For further information and announcements, please contact us on:

Landline: (+49) 0511 9999 2500
Email: barrierefreiheit@theaterformen.de 

Sensory Stimuli

On this page we provide information on the expectations that might be placed on the audience during the performance. In addition, we highlight various acoustic, visual, olfactory, gustatory and haptic stimuli that may be sensory triggers for people. Transparent communication in this regard allows potential attendees to decide themselves whether a performance is accessible for them. There is ear protection available at each venue’s box office, if required.

If not explicitly described otherwise, the following theatre rules will apply during attendance at the performance: attendees must conduct themselves quietly during the performances and remain seated throughout.

Because some of the productions are still being developed, this page will be continually updated and supplemented if necessary.

Ich bin nicht tot – Lola Arias
Intensive use of video projections.

No Gambling – Imbricated Real (Simone Aughterlony, Julia Häusermann)
We point out that stroboscopic effects are used in this performance. In the performance there are very fast light changes over a longer phase, which increase to a stroboscopic effect. In the same scene there is loud electronic music playing, whose bass vibrations can be physically felt. There are also scenes with overlapping sounds. On an auditory level, a threatening mood is often created. In other scenes, there are irregular flashing light elements. Spatially projected, moving light elements occur at several points in the performance, sometimes over a longer period of time. A rotating set piece the size of a television set permanently shows a screen malfunction.There is handling of pointed and sharp objects. There is non-verbal audience interaction with a randomly selected person who hints at a dangerous action but does not execute it. There are also isolated moments of audience address in which potentially triggering content is sometimes explicitly addressed. There is no need to respond verbally to the audience address. At one point in the performance a voice distorter is used. There is stage fog.

Homecooking [Home Cooking] – Simone Dede Ayivi
Please note that stroboscopic effects are used in this performance. Live cooking, producing food smells. In addition, there is stage smoke and acoustically amplified kitchen noises. Video projections are used, sometimes with rapid switching between images in the video.

How To Turn To Stone – Manuela Infante
There is some loud music in the performance and some flashing, dazzling light. Towards the end, all the musical sequences used in the performance accumulate into an overlapping acoustic compression.

Stay A Little Longer (or How Did We Get Here?) – Noëmi Lakmaier
The installation is set up as a spatial encounter between the performer and another person. The situation requires the audience member to make their own decisions on how to explore the room in their own way. There are no attempts by the performer to interact, and no reactions to other people’s attempts to interact. In one part of the installation, the continuous influx of sand into the room creates the feeling of a sandstorm in the air. The wearing of face masks is compulsory.

Lavagem – Alice Ripoll, Cia REC
This production is still in development. The information will be continually updated.

Killjoy Quiz – Luanda Casella
Text, music and light are conceptually tightly interwoven, sometimes intensively overlapping. The structure of the game is reinforced by sudden lighting effects and sounds. The production employs a continuously ironic mode of speech, using rhetorical stylistic devices and word play in artistic ways. There are occasional moments when the audience is addressed. Here, questions are directed at the audience that do not necessarily demand answers, and where they are answered, this may develop into a dialogue.  

Precarious Moves – Michael Turinsky
Pulsating background noises and electronic beats are used in parts of the performance. Occasionally, these are accompanied by high-pitched beat-like notes as well as clocks ticking and heartbeats. Auto tuning is also used.

Losing It – Samaa Wakeem
In the performance, loud music is used several times over long stretches. Different sounds often overlap, especially towards the end of the play.

These include:
- sounds of war (sirens, aeroplane noises, bomb impacts, machine gun shots)
- street noises/horns
- ringing of bells
- fireworks
- violins.

In addition, tape recordings are played in one scene, which sound distorted in places. A thick rubber band is stretched across the entire stage space, which is repeatedly made to vibrate with varying intensity.

Embryo – Mira Hamdi
In the performance, liquid clay is used at a sufficient distance from the audience. Likewise, at one point an object flying towards the audience is used, secured by a rope.
At the end of the performance, a video projection lasting several minutes is shown with strobe-like light effects.
In one scene, overlapping musical sequences are played. The volume of sound and speech varies between loud and very quiet over the duration of the performance.

TANZ. Eine sylphidische Träumerei in Stunts [DANCE. A Sylphidic Reverie in Stunts] – Florentina Holzinger
Some scenes depict acts of self-harming and may be disturbing for some viewers. We wish to point out that strobe effects are used in this performance.

Loud music is played throughout the performance. In addition, at several points there are sudden and loud noises. At one point, a performer comes into the audience and forces interactions with individual audience members. There is no pre-determined length for this situation. 

A Crashcourse In Cloudspotting – Raquel Meseguer
Online version: in the conception of this piece, the focus was on creating a calm atmosphere during the performance. The performance functions auditorily, and the situation is controllable at any point by the participants.  

In-person version: following the performance, there will be a mutual sharing of experiences. Participation is optional.