Every night Alexander is drawn to an Uzbek teahouse in the old part of Tashkent, where he watches the ecstatic male bodies of young dancers and experiences a state of euphoria. He puts the men into his paintings, until the door to the fragile world of the dervishes is shut for him by a brutal murder at the teahouse. Alexander has disrespected the law of Islam, which forbids images of humans. The painter�s dramatic escape is shown as a series of theatrical images which combine historical facts and fiction: the painter Alexander Nikolaev is a historical figure. He survived the whirl of the collapsing Russian Empire under the pseudonym Usto Mumin. The actors from Tashkent present fragments of pictures, letters, diary entries, photographic documents and eye-witness accounts, grouped around the painter�s most famous work, �Ecstasy with a Pomegranate�. The garden of happiness, into which the painter escaped, is revived in this fascinating fantasy, and for the first time the audience is allowed to witness the �batcha dance�, forbidden for a long time.