The ‘it’ is an effect in Italo pop. Emotions are nothing; they’re Powerpoint, because even online ads are emotions. But Itaca, Ossi Viola and Lo Selbo are their names, have it. The it. Keyboards in Belcanto arabesques, a male voice, a female voice, singing emotionally to each other. Velocita is one of those songs, with synthesiser bass and almost kinda cheesy lyrical touches. 70s Italo canzone, 80s popper pop, 00s weirdness. The night of the year always happens just before an ending. Power & party & people. Emotions are bullshit. Here comes the feeling.

Itaca